Sixteenth issue of the scientific compilation „Musicological thought of Dnipropetrovsk region” suggests the original research articles, which are consequence of teachers’ and graduate-students’ scientific investigations from Dnipropetrovsk academy of music named M. Glinka. There are explorative works into this collection by others researchers, whose activity was connected with Dnipropetrovsk region. The subjects of scientific articles delineated their formation into structure of fourth parts a namely „Ukrainian musical culture”, „Theoretical and historical problems of musical art”, „Musical performing and pedagogy” as well as „Chronic of musical events (reviews)”. The first part „Ukrainian musical culture” actualizes and to a certain extent decides the questions of domestic musical art. I.M. Ryabtseva and O.V. Sayenko are studying the interpretation of choral miniature genre into creativeness of L. Dichko. N.Y. Tarasova and I.V. Sviridova are disclosing the individuality of I.Alexeychuk’s style in spiritually choral heritage of renowned composer. I.O. Gruzin is touching the questions concerning interpretation of V. Runchak’s saxophone compositions. The second part of scientific compilation is opening by T.O. Medvednikova’s and T.L. Feschenko’s article, which is deepened by authors into problem of authentic performing organ compositions from Baroque epoch. S.A. Schitova and G.O. Ufimchuk-Zavorotnuk extract the features of chronotope in mono-opera. O.P. Guzva and A.R.Skripnik expose for analytical analysis the cadenzas in Concerts for cello with orchestra by J. Haydn. D.D. Kupina and G.O. Grebenuk investigate genre variation for piano in context the style multiplicity of F. Mendelso-Dartholdy’s creation. M.V. Samokish interests by the genre-style particularity of modern compositions for viola, which were written by contemporary Ukrainian composers. Arias of G.F. Gendel in academic repertoire of present singer are studying by N.V. Bashmakova and T.P. Okipna. I.M. Ryabtseva and S.A. Rybuha jointly comprehend the secrets of creative mutual enrichment between composer O.Kozarenko and singer-countertenor V. Slipak. The part „Musical performing and pedagogy” is opened by V.V. Hromchenko, which accents an attention to the problem of creator’s self-actualization into light of art synthesis. The questions concerning modernization of visual row, as the mean for keeping the topicality of opera performance, is prolonged by I.M. Ryabtseva and R.V. Supryga. D.D. Kupina and M.V. Didak investigate jazz jam session, in the aspect listeners’ perception. O.P. Guzva and N.V. Mikolaychuk are founding out the performing practical features for interpretation of Baroque vocal music. T.O. Medvednikova and K.O. Kalinovska are learning the clavier particularity for performing compositions by F. Kuperen. The fourth part „Chronic musical events (reviews)” proposes to the music lovers and all connoisseurs of academic musical art to remember the row outstanding concert events a namely Forum cellists into frameworks of International festival „Music without limits” (the review of V.V. Hromchenko) and Festival of anniversaries (classical guitar), which was displayed by U.V. Radzetsky into detail analysis of wide review. Now then, submitted vocational publication will interest the all specialists of academic musical art by factors topicality and practice above indicated professional questions. The vise-rector for scientific work at the Dnipropetrovsk academy of music named M. Glinka, candidate of art, associate professor V.V. Hromchenko.