• № 17 (2019)

    Сімнадцятий випуск збірника наукових статей „Музикознавча думка Дніпропетровщини” продовжує серію публікацій, що є результатом наукової діяльності викладачів та магістрантів Дніпропетровської академії музики ім. М. Глінки. До збірки також увійшли праці науковців, дослідницька діяльність яких пов’язана з дніпропетровським регіоном.

  • № 16 (2019)

    Sixteenth issue of the scientific compilation „Musicological thought of Dnipropetrovsk region” suggests the original research articles, which are consequence of teachers’ and graduate-students’ scientific investigations from Dnipropetrovsk academy of music named M. Glinka. There are explorative works into this collection by others researchers, whose activity was connected with Dnipropetrovsk region. The subjects of scientific articles delineated their formation into structure of fourth parts a namely „Ukrainian musical culture”, „Theoretical and historical problems of musical art”, „Musical performing and pedagogy” as well as „Chronic of musical events (reviews)”. The first part „Ukrainian musical culture” actualizes and to a certain extent decides the questions of domestic musical art. I.M. Ryabtseva and O.V. Sayenko are studying the interpretation of choral miniature genre into creativeness of L. Dichko. N.Y. Tarasova and I.V. Sviridova are disclosing the individuality of I.Alexeychuk’s style in spiritually choral heritage of renowned composer. I.O. Gruzin is touching the questions concerning interpretation of V. Runchak’s saxophone compositions. The second part of scientific compilation is opening by T.O. Medvednikova’s and T.L. Feschenko’s article, which is deepened by authors into problem of authentic performing organ compositions from Baroque epoch. S.A. Schitova and G.O. Ufimchuk-Zavorotnuk extract the features of chronotope in mono-opera. O.P. Guzva and A.R.Skripnik expose for analytical analysis the cadenzas in Concerts for cello with orchestra by J. Haydn. D.D. Kupina and G.O. Grebenuk investigate genre variation for piano in context the style multiplicity of F. Mendelso-Dartholdy’s creation. M.V. Samokish interests by the genre-style particularity of modern compositions for viola, which were written by contemporary Ukrainian composers. Arias of G.F. Gendel in academic repertoire of present singer are studying by N.V. Bashmakova and T.P. Okipna. I.M. Ryabtseva and S.A. Rybuha jointly comprehend the secrets of creative mutual enrichment between composer O.Kozarenko and singer-countertenor V. Slipak. The part „Musical performing and pedagogy” is opened by V.V. Hromchenko, which accents an attention to the problem of creator’s self-actualization into light of art synthesis. The questions concerning modernization of visual row, as the mean for keeping the topicality of opera performance, is prolonged by I.M. Ryabtseva and R.V. Supryga. D.D. Kupina and M.V. Didak investigate jazz jam session, in the aspect listeners’ perception. O.P. Guzva and N.V. Mikolaychuk are founding out the performing practical features for interpretation of Baroque vocal music. T.O. Medvednikova and K.O. Kalinovska are learning the clavier particularity for performing compositions by F. Kuperen. The fourth part „Chronic musical events (reviews)” proposes to the music lovers and all connoisseurs of academic musical art to remember the row outstanding concert events a namely Forum cellists into frameworks of International festival „Music without limits” (the review of V.V. Hromchenko) and Festival of anniversaries (classical guitar), which was displayed by U.V. Radzetsky into detail analysis of wide review. Now then, submitted vocational publication will interest the all specialists of academic musical art by factors topicality and practice above indicated professional questions. The vise-rector for scientific work at the Dnipropetrovsk academy of music named M. Glinka, candidate of art, associate professor V.V. Hromchenko.

  • № 15 (2018)

    The fifteenth issue of the collection scientific articles „Musicological Thought of Dnipropetrovsk regionˮ is continues the series of publications, which generates the results of scientific activity from teachers and graduate students of Dnipropetrovsk Music Academy after M. Glinka. The scientific works of researchers, whose studying activities in the certain extent binding with Dnipropetrovsk region, have come also into this investigative compilation. The subjects of represented explorations postulated the process of specialized formalization of compilation’s structure into four parts a namely „Ukrainian musical culture”, „Theoretical and historical problems of musical art”, „Musical performing and pedagogy” as well as „Chronic of musical events (reviews)”. The first part „Ukrainian musical culture” analyses the many questions of domestic musical art. M.I. Varakuta and U.O. Chernenko are investigating the creativeness of Vladimir Stetsenka in aspect interpretation of the actual problem concerning choral miniature genre. N.U. Tarasova and P.V. Kamus are determining the peculiarity of Christian duality repentance and glorification based on the Liturgy of St. Ioanna Zlatousta by M. Skoryka. Attention of I.M. Prihodko and U.O. Kusa is denoted by the educationally practical view to the transformational processes of musical folklore in the aspect of contemporary Solfeggio. The second part of this compilation is opened by scientific article of R. Sludjinskas, which is dedicated to the problem concerning ancient musical style in early publications of Lithuanian people-singing folklore. O.P. Guzva and A.Y. Revutskiy are learning the style peculiarity of S.S. Prokofiev’s melody, on the material Concerts № 1 and № 2 for violin with orchestra. N.U. Tarasova and A.V. Dubina are peering into the individual incarnation of principles for new directions of choral music from the end 19th – the beginning 20th centuries, for example Liturgy of St. Ioanna Zlatousta by P. Chesnokova. Researcher I.S. Piatnitska-Poziniak is deepening in the problem of musical pronunciation, studying this question from the phenomenon of retrospection. I.M. Ryabtseva and A.U. Moroz are delineating the genre modification of cello concerts by S.S. Prokofiev into the prism of mutual enrichment between outstanding composer and famous performers-cellist. S.A. Schitova and T.A. Shvetz are touching the multiplicity of the genre synthesis in contemporary academic musical art. The part „Musical performing and pedagogy” accents the scientific attention by V.V. Hromchenko on the academic compositions for tube solo as the quintessence of compositional artistically creative identification of professional instrument. I.M. Ryabtseva and S.V. Romanovskiy are opening functions and performing particularity of horns in the First symphony by G. Maler. N.S. Zolotariova and T.O.Oliferovskiy are studying the influence of performing instrumental school to the interpretation of musical composition for example the celebrated Concert for cello with symphonic orchestra by A. Dvorak. S.A. Schitova and O.M. Ykimetz are extracting the peculiarity of new interpretation of chamber-vocal genre in the late creativeness of F. Shubert. The language of jazz in the instrumental suite of 20th century is denoted by scientific attention and investigative concentration from research views of N.U. Tarasova and B.I.Moskaliov. The genre of pianoforte transcription in the creativeness of F. List is disclosing in the explorative article of N.V. Khmel and A.S. Mykoiy. The fourth part „Chronic of musical events” proposes to the readers to meet with the wide review by V.V. Hromchenko concerning enormous celebratory concert, which was dedicated to 120th anniversary of professional specialized musical education in Dnipro. N.U. Tarasova represented the article devoted to 60th anniversary of famous composer, creator, outstanding teacher of Dnipropetrovsk academy of music named M. Glinka, Honored art worker of Ukraine by V.M. Brondsiy (Martinuk). Now then, suggested scientific compilation will be interesting for many specialists of contemporary academic professional music art. The vise-rector for scientific work at the Dnipropetrovsk academy of music named M. Glinka, candidate of art, associate professor V.V. Hromchenko.    

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